The dissertation is dedicated to the interplay of tourism and fascism (especially forced Italianization) in South Tyrol from the 1920s to the 1940s. In this context, planned large-scale tourism projects are not understood as mere technical infrastructure, but as strategic investments and constructed fascist policies. The thesis focuses on the never realized large-scale project of a gigantic cable car from Cortina d'Ampezzo to Bolzano by Giòvanni Ponti and other actors and its framework conditions. The topic has a technical-historical aspect – the opening up of the Alps for car and sports tourists – and a media-historical one – the recoding of the mountains through new utopian images. Within this focus, the coupling of road, cable car, and hotel construction under fascism for new purposes – unlike the upper middle classes before World War I, motorists and athletes are now to travel en masse to the mountains – is debated. Hereby tourism is examined as utopian modernization and optimization of bodies, mountains and means of transport.
Forschungsschwerpunkt
Forms of cultural inscription
Start
2023
End
2027
Participants
Catrina Klee